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Elements and Performance Criteria

  1. Clarify scope of music exploration
  2. Identify aesthetic and expressive elements of music
  3. Convey ideas about music

Required Skills

Required skills

communication and literacy skills sufficient to

interpret and clarify written and verbal instructions

discuss music and musical ideas with peers

respond positively to constructive feedback

articulate ideas about music accurately and appropriately using appropriate conventions of music writing and nomenclature

read music

use language appropriate to the intended audience

analytical skills sufficient to

retrieve and use appropriate resources to develop analysis

focus study on appropriate musical elements within compositions and performances

initiative and enterprise skills in the context of empathising with the creative work of composers and performers

selfmanagement and planning skills sufficient to

prioritise work tasks

source information and reference material in a timely fashion

meet deadlines

seek expert assistance when problems arise

Required knowledge

welldeveloped understanding of musicrelated issues including

styles and genres and musical forms and conventions relevant to music exploration

music notation

techniques for discriminating music aurally to analyse music

repertoire relevant to chosen musical styles and genres

musical and cultural protocols

musical form and performance conventions

cultural circumstances of music performance and consumption

elements of musical organisation in relation to content of written work

technical processes and demands of composition andor music performances

issues and challenges that arise when developing an understanding of music

written auralpresentation and communication techniques for the relevant medium

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

demonstrate sound understanding of the aesthetic technical and expressive characteristics of music

apply analytical reflective criticallistening and communication skills in the context of exploring and articulating ideas about music

present the findings of a study of musical examples in an appropriate way

Context of and specific resources for assessment

Assessment must ensure

access to printed scores or recorded performances as required by the specialisation to be assessed

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

evaluation of musical studies completed by the candidate

written or oral questioning to test knowledge as listed in the required knowledge section of this unit

case studies and scenarios as a basis for discussion of issues and challenges that arise in the context of exploring and understanding music for a range of purposes

authenticated details of relevant commercial or other examples of musical analysis

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSMLTA Analyse functional harmony

CUSMLT403A Analyse functional harmony

CUSINDA Apply music knowledge and artistic judgement

CUSIND501A Apply music knowledge and artistic judgement

CUSMLTA Apply concepts about the impact of music to professional practice

CUSMLT502A Apply concepts about the impact of music to professional practice

CUSWRTA Write about music

CUSWRT501A Write about music.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Appropriate personnel may include:

authors

composers

artists and performers

broadcasters

editors

writers

graphic designers

program or event managers

sound-production or recording personnel

record companies

directors

producers

programmers

academic supervisors

production managers

music promoters, agents and marketers.

Purpose and scope may include:

analysis to determine the music's:

aesthetic qualities

technical qualities

expressive qualities

capacity for aesthetic and/or literal communication

creative and innovative qualities

expression of new ideas

capacity to reflect value systems

capacity for the aural transmission of knowledge and wisdom

research for:

performance

improvisation

academic purposes

written articles, program notes, criticism or marketing

educational purposes and materials

performance commentary

written or electronic media programs, presentations or live events.

Methodologies may include:

reflective listening

studying music notation examples, including specific scores and texts

performance analysis

studying the representation of music as symbols

transcribing and analysing musical examples

investigating the use of conventions of notation and music nomenclature

debating ideas

reviewing and incorporating ideas from relevant literature and methodologies

cross-referencing compositional and performance examples.

Musical examples may include:

music pieces

scores or charts

compositions and improvisations

recordings

other written examples and/or performances

styles and genres, such as:

folk and traditional music forms, including European classical or traditional music of any other cultures

all contemporary popular musical styles

jazz

world

country.

Musical elements may include:

acoustics

aesthetic qualities

articulation

beat

cultural context

dynamics

expression

form/structure

genre

harmony/chords

instrumentation

interpretation

melody

notation

nuance

ornamentation

phrasing

pitch

relationship to text

rhythm

scales

sound production

style

tempo

texture

timbre/tone colour

time signatures

tonality.

Music vocabulary may relate to elements, such as:

specialised knowledge of repertoire

specialised knowledge of artists

critical-listening skills

artistic judgement

music history

performance practice in a range of styles and customs

music technology

music texts

aural recognition and comprehension of musical devices and systems, including:

melody

harmony

timbre

attack

pitch

tempi

dynamics

expression

physics of music and sound production

technical requirements for a range of instruments in a range of musical styles and performance contexts

aural imagination and innovation

musical styles and genres.

Target audiences may include:

peers and colleagues

authors

composers

artists and performers

editors

program or event managers

sound-production or recording personnel

record companies

directors

producers

media programmers

academic supervisors

production managers

tutors and teachers

mentors

presenters

general public.